Jazz Cubano #48: Percussion Drawing
32in x 32in (81.28cm x 81.28cm) sheet
30in x 30in (76.2cm x 76.2cm) image
17in x 17in (43.2cm x 43.2cm) sheet
15in x 15in (38.1cm x 38.1cm) image
All prints are custom-printed. Takes two weeks prior to shipping.
The movement and space in Afro-Cuban jazz has long fascinated me, especially the percussion. In my new Jazz Cubano Series I take those complex rhythms and melodies apart to reconstruct them visually.
I began work in 2012 with the music of Cuban percussionist Arturo Stable and Cuban pianist Elio Villafranca using their duo recording "Dos Y Mas". Arturo was very generous with his time, trying to teach my very non-Afro-Cuban ears to hear the music’s ‘bones’ more clearly.
In order to find a visual translation I found I had to break the music down into its simplest components – literally, single percussion sounds. Those fueled a series of fifty brush studies. Next I transferred pairs of them one over another and painted into them – the Percussion Drawings. Only after many months was I comfortable beginning the larger brush studies and paintings.
Making our work a ‘conversation’, Arturo and Elio improvised from my brush studies in April 2013. I composed new pieces from music informally recorded in that session – layered, collaged paintings titled, Jazz Cubano: Arturo and Elio, Thinking Out Loud.
The second phase of Jazz Cubano is based on a piece from Stefon Harris’, David Sanchez’ and Christian Scott’s "Ninety Miles Project". “Brown Belle Blues” was composed by vibraphonist Stefon Harris. The overlays of rhythms caught my imagination instantly when I heard them perform it live at a jazz festival in the summer of 2011.
This sale is for a PRINT of the original artwork, not the original artwork.